I stretch it, paint it, fold it, going to the limits of its strength, fragility and transparency.
It often leaves me in desperation because of its fragility.
It leaves me breathless with the feeling of happiness to see its fragile intensity.
Gyeonggi International Ceramix Biennale 2011
honourable mention for the Enchanted Flowers in the
World Ceramic Biennale Korea (CEBIKO)
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